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Steve Hackett

WhiteWinter

0/5

“Pas d’avis pour le moment.”

Tracklist

I feel like I’ve been the finest fool
Hanging on by my fingertips
The ground gives way beneath my feet
A black cloud descends
I lose my grip
Buried in the mud
Lying here with no relief

The world I’ve known is paper thin
Torn in shreds my finest hour
A drowning man still battling
One breath rattle gathering
Dust is dust, clean me now
All my strings are gutted
Turn it down

In the paralytic nursery of bygone fears
My old adversary reappears
Still confronted by the many faces of Eve
No matter how I try to heal this injury
Still the trophies line up on the wall
Pride that comes before a fall

(Steve Hackett/Jo Lehmann)

An open coast, an open road
Spirit rising, burning gold
I’ll take you to the caverns
Where the gypsies go
They’re dancing through the firelight
Whirling fast and slow

It’s a cry from the heart
it’s a crying soul
Nothing imagined need ever be lost
Going from dust to dust

We’re running and hiding
Like wolves from a pack
You’ll hear the waves crashing
Never turning back

It’s a cry from the heart
It’s a crying soul
Nothing imagined need ever be lost
Going from dust to dust

It’s a cry from the heart

Sugarplum fairies on parade
The smiling dolls wield the sharpest blade
Candyfloss pink the sequins whirl
Beneath a serpent ready to uncurl

A dealer playing with my state of mind
Roulette wheel the colours were entwined
Black and white Russians were prepared
She staked her claim to the lions share

Dressed in velvet in the limelight
She beckoned me from marble stairs
Long ago with all the dreamers
I fell into her emerald spell

A thousand silver songs that filled the air
Rosary the worry beads of care
I should have understood
the queen of hearts
Played to win right from the start

Dressed in velvet in the limelight
She beckoned me from marble stairs
Long ago with all the dreamers
I fell into her emerald spell

The dice were loaded, knew I was ensnared
Fingers turned to talons in my hair
A rusted door inside a golden cage
A broken chord, a bird that flew away

Dressed in velvet in the limelight
She beckoned me from marble stairs
Long ago with all the dreamers
I fell into her emerald spell


(instrumental)

(Steve Hackett/Roger King/Jo Lehmann/Nick Clabburn)


Breathing in and out with tide
Leaving the mantra of a world outside
Faces bathed by moonbeams
All the sleepers send you their dreams

Rising from a wave of helping hands
A woman holds a statue till he becomes a man
Captured in her eyes he’s finally complete
All the sleepers send you their dreams

Night terrors make you scream
Dogs turned reptiles halloween
Lizards and birds, claws in your feet
Can’t shake off all the demons you meet

Surveillance camera in the sky
Big big brother telling you why
Too many saviours on my cross
Might as well worship the Wizards of Oz

Turning your dream around
Taking the reins again
Running through the flames
Sun shining out of the rain

Taking a leap of faith
Jumping into space
Find an unknown place
The moon’s other face

All the sleepers send you their dreams
All the sleepers send you their dreams

(instrumental)

(Steve Hackett/Jo Lehmann)

Lady of the mansion
She gave me her key
But your cotton print dress
Worked its magic on me

Still waters run deep
Smoke rising from beneath
White lightning in the heat

Voodoo queen weaved
Her charms for free
But you big brown eyes
Worked their magic on me

Still waters run deep
Smoke rising from beneath
White lightning in the heat

Storyville ladies
Invited me from the street
But your shy southern smile
Worked its magic on me

Still waters run deep
Smoke rising from beneath
White lightning in the heat


(Steve Hackett/Roger King/Jo Lehmann)


Your two eyes like minarets
Rise in twin pools of white
The incandescent fires of spring
Radiant against the vault of night

On the last train to Istanbul

Journey to the heart, dancers on thin ice
Lantern moon, a magic carpet ride
Soulscapes, island nights
In your eyes an afterlife

On the last train to Istanbul

Curling smoke becomes the djinn
Lovers wish for everything
Temple pillars builts on clouds
In your sleep awaking now

On the last train to Istanbul

Infos générales

2009

Steve Hackett : guitares, chant
Roger King : claviers, programmations
Nick Beggs : basse, Chapman Stick
John Hackett : flûte (5, 8)
Rob Townsend : saxophone soprano (3, 8)
Christine Townsend : violon, alto (5, 6, 8)
Dick Driver : contrebasse (5)
Lauren King : choeurs (7)
Jo Lehmann : choeurs (7)
Amanda Lehmann : choeurs (3, 5, 7)
Chris Squire : basse (1, 2)
Anthony Phillips : guitare 12 cordes (3, 5)
Ferenc Kovaks : violon (8)

Produit par Steve Hackett et Roger King.
Enregistré, mixé et masterisé à The Living Room par Roger King.

Photos : Jo Lehmann. Design : Harry Pearce.

WhiteWinter

0/5

“Pas d’avis pour le moment.”

Tracklist

(instrumental)

Come away O human child
To the waters of the wild
With a fairy hand in hand
For the world’s more full of weeping
Than you can understand

Fly away you stolen child
Through a magic lantern slide
Singing in the acid rain
With all those who drink from
The waters of the wild

Far away my lost child
I see your breath and your smile
On the silver frosted lawns
In the dream that came alive
At the end of nowhere

Underneath a sailing moon
Lemon lime ginger soft glow
Scale the woodland around the dale
Rising falling through hedgerows
With her train the queen of night
(Her pale window)
(Calming your fear)
(With the Earth)
Slowly turning the tide (in the lowland)
From the long arms of the sea
Set your compass by your dream (falling)
Grazing sheep have lost their way
Fifty fathoms below the bay

Windward of the sunken rock (blowing)
Faces set like gravestones (staring down)
Oarsmen pull to cleave the brine
Neath the blackcliffs their cross-bones
Under the waves and put to right
Toy armies too rusty to fight (in the lowland)
Cling to the wheel how deeply you breathe
Set your compass by your dream (falling)
Grazing sheep have lost their way
Fifty fathoms below the bay

Dear friend you’ve come at last
I wish to impart to you something of a deeply personal nature
Dare we venture off the map
And indeed between the cracks
To a private road of sorts
I presume you have a strong will
And the stomach to match the underbelly of our fair city

You’ll need this firm crowbar
Whilst I implore you to utilise no sense of smell
And to think people live down there
A rush of chill air heralds our clattering necropolis railway
Like a Transylvanian express plunging into rivers of fungi algae and eels
Ten million rats, one for each one of us
And to think people live down there

A race of wild hogs inhabit the sewers of Hampstead
A cesspool suburb superb supreme
Catacombs of Kensal Green
I know you’d like to slime away
Like those walled up under Whitechapel
But I’ve my own kind of Jubilee line out of sight and out of mind
And to think you’ll have to live down there

Strangled streams, smothered rivers, London always gives me the shivers

Forty abandoned stations and Churchill’s last bolthole
Impregnable as Hitler’s bunker
Can’t you see them dancing on the platform at Down Street

Read me a dream sighs Linda
Flying through nursery windows
Leaving a night light burning
Keep all my love beside you
Toys R Us for you dear
Chocolate Crocodile tears
Now look who’s talking
Jigsaw Junior High School
All overtime in play group

Under a railway footbridge
Primrose Hill by moonbeams
Buckle my shoe in springtime
Winter’s child grows restless
Pining for bread and roses
Somewhere she’s been before
Gazing at the farmyard
All those things adored
Only until she’s bored

Climbing the wall of China
Outside the old toy station
Wrapped in a garden glory
Read me a bedtime story
I know that you have to grow up
Leaving all this behind you
Farewell my lovely Linda
Sweet as a birdsong Linda
Once in a dream called Linda


When the debs came down in their famous gowns
Jacqueline at once was the talk of the town
Launched and lunched on Society’s cream
Smiled and curtsied so gently

Toujours chercher pour quelle-que-chose
As the curtains are drawn to a close

When her Daddy’s bank sailed close to the wind
He traded it all for Gordon’s Gin
All the King’s horses and all the King’s men
Conquered elsewhere never called again

Said a discreet madam with your pedigree
A belle de jour if ever I’ve seen
The home service the French lesson round
So neatly attired costing one hundred pounds

Propped up in bed all alone at The Ritz
The Evening Star printed she razored both wrists
Dressed in her furs with her girdle and gloves
Surrounded by photos of all her old loves

(Nick Clabburn / John Hackett)

Heard you on the radio
(You) sounded very strange
Voices in the distance
Way beyond my range

Tried to call the station
Panicked and I ran
Tried to find the moment
When you and I began

Looking in the mirror
Cut off all my hair
Made myself a moment
When no one seemed to care

This room is getting smaller
My ego and my Id
Now I’m really sorry
For all the things I did



(Bob Dylan)


Crickets are chirping the water is high
There’s a soft cotton dress on the line hanging dry
Windows wide open African trees
Bent over backward from a hurricane breeze

Not a word of goodbye not even a note
She gone with the man in the long black coat

Somebody seen him hanging around
At the old dance hall on the outskirts of town
He looked into her eyes when she stopped him to ask
If she wanted to dance he had a face like a mask

Somebody said from The Bible he quote
There was dust on the man in the long black coat

Preacher was a talking there’s a sermon he gave
He said every man’s conscience is vile and depraved
You cannot depend on it to be your guide
When its you who must keep it satisfied

It ain’t easy to swallow it sticks in the throat
To give her heart to the man in the long black coat

There are no mistakes in life some people say
And its true sometimes you can see it that way
Well people don’t live or die people just float
She went with the man in the long black coat

There’s smoke on the water it’s been there since June
Tree trunks uprooted neath the high crescent moon
With a pulse and vibration and the rumbling force
Someone is out there beating on a dead horse

She never said nothing there was nothing she wrote
She gone with the man in the long black coat


I long to gaze at the Cedars of Lebanon
To breathe the air on the mountain of olives
To feast my eyes on Babylon’s gardens
To take you back to Sumeria’s glory
To set you free with a full man’s pardon

In a language as old as the whispering sands
Ever submerging the towers of silence

I long to show you one thousand golden Buddhas
I long

The street is crying its lost it’s name
Inscription washed away by the pouring rain
I long

Clapperboards sandwich hordes scavengers in paradise
Training their eyes under grey porridge skies
Magistrates Ivory gates opiates potentates
Kings of carrion badness in the blood

Its all wolfwork

Faxes from a wall of corpses
Gorging on each day in mourning
Father time squeezing the sun
For light relief they bare their teeth
And turn on their own
Rolling around on a fresh bed of nails

Come and see the show
Join in the ring
With your mouth open wide


Why must you treat me like a child
Why not join me on the prom
I’d go on singing forever
But cremation won’t be long

History’s a vinyl record stuck in a groove
A hundred warring sects claiming to have the truth
Blessed robots with so much to prove
You could say so much to lose

The scorching air
The slumbering mass
Of forgotten things

Preening peacocks ignite the fuse
Trumpets and promises a turn of the screw
To have a human face we’ll have to start all over again
Back to the drawing board all the boys and men

When you lose your kite in the wind and fall on the trees
You’re sucked in bulletin blown out on T.V.
The glory of the past is really only a tomb
The thing from the crypt long ago nurtured you

(instrumental)

Alone in the crowd
Beside the big wheel
You’ve run out of luck
I know the way you feel
A dark night in toytown
Round the carousel
If you want to ride faster
It’s happiness I sell

If you can’t find heaven
I’ll show you a ghost train to hell

The pleasure principle
Is what I had in mind
I’ll make you feel invincible
Then you’ll be mine
A gorilla tranquiliser
Will help to slow you down
Monsters of the Id
Call from the underground

I know I seem sordid
Beneath you at first
I’ll pierce your defences
Take away your thirst
I hold you gently
You gasp out loud
Blood on your white cheek
The fairground closes down


Infos générales

Sorti le 11 septembre 2006.

Steve Hackett : chant, guitares éléctriques et acoustiques, Optigan
Roger King : claviers
Rob Towsend : saxophones, flûte
Gary O’Toole : batterie, percussions
John Hackett : flûte
Nick Magnus : claviers

Avec l’Underworld Orchestra :

Christine Townsend : violon, alto
Lucy Wilkins : violon
Richard Stewart : violoncelle
Sarah Wilson : violoncelle
Dick Driver : contrebasse
Colin Clagne : trompette
Richard Kennedy : cor français

Produit par Steve Hackett.

WhiteWinter

4/5

“Quelques mois après le somptueux “Live Archive 05”, grand retour en arrière de plus de vingt ans.

Ce volume-là, lui aussi dans un registre acoustique, est en grande partie un concert enregistré en 1983 à Edimburgh, lors de la tournée “Bay of Kings”. Les trois derniers morceaux sont joués live, mais sans public.

Un son moyen (mais on s’en doutait, c’est un bootleg vinyl à la base), mais une prestation tout à fait à la hauteur des live plus récents.

L’absence de claviers n’est pas pesante et la magie opère tout autant.
L’enthousiasme du public fait énormément plaisir à voir (enfin, à entendre !)

Côté musique, Steve fait la part belle à “Bay of Kings” (subjectif : “tant mieux !) mais réserve aussi des inédits, quelques bonnes surprises, créditées (“A Cradle of Swans”, “Concert for Munich”) ou pas (le thème d'”Arrival”, “Overnight sleeper”).

P.S : au vue de la set-list, avant la sortie, on était plusieurs à regretter l’absence du magnifique “Black Light”…
En fait, prêtez bien l’oreille…

Tracklist

Infos générales

“Quelques mois après le somptueux “Live Archive 05”, grand retour en arrière de plus de vingt ans.

Ce volume-là, lui aussi dans un registre acoustique, est en grande partie un concert enregistré en 1983 à Edimburgh, lors de la tournée “Bay of Kings”. Les trois derniers morceaux sont joués live, mais sans public.

Un son moyen (mais on s’en doutait, c’est un bootleg vinyl à la base), mais une prestation tout à fait à la hauteur des live plus récents.

L’absence de claviers n’est pas pesante et la magie opère tout autant.
L’enthousiasme du public fait énormément plaisir à voir (enfin, à entendre !)

Côté musique, Steve fait la part belle à “Bay of Kings” (subjectif : “tant mieux !) mais réserve aussi des inédits, quelques bonnes surprises, créditées (“A Cradle of Swans”, “Concert for Munich”) ou pas (le thème d'”Arrival”, “Overnight sleeper”).

P.S : au vue de la set-list, avant la sortie, on était plusieurs à regretter l’absence du magnifique “Black Light”…
En fait, prétez bien l’oreille…

WhiteWinter

5/5

“À la suite de “Metamorpheus”, on s’attendait un peu à revoir Steve et ses deux plus grands complices, en toute intimité.

Ce nouveau volume des Archive live est un splendide recueil de pièces acoustiques en concert.

Sur le premier CD, Steve est seul, le deuxième présentant des interprétations en trio.

Certains trouveront qu’il fait un peu doublon avec “Hungarian horizons”, mais on a quand même droit ici à de bonnes surprises, comme “Hands of the priestess”, “Hairless heart”, ou même le morceau “Bay of kings”.

Steve et son passé de Genesis n’hésitent pas à s’effacer pour laisser place aux compositions des deux autres participants, avec “Next time around” et le jazzy “M3”.

Peut-être ce live n’est-il pas aussi mémorable que le “There are many sides to the night” (pas à mon goût en tout cas..), mais d’abord John est présent (la flûte et les claviers sonnent mieux que jamais), et puis il reste tout aussi bien foutu.”

Tracklist

Infos générales

Sorti en juillet 2005.

Steve Hackett : guitare classique.
John Hackett : flûtes.
Roger King : clavier.

Produit par Steve Hackett.

WhiteWinter

4/5

“Excellent disque de musique classique, superbe adaptation du mythe d’Orphée, descendu aux Enfers pour délivrer Eurydice.

Le mini-orchestre qui joue sur ce disque est par ailleurs judicieusement appelé “The Underworld Orchestra”.

La musique est très sombre, angoissante parfois (“Eurydice taken”/”Charon’s call”). Quelques autres perles lumineuses et romantiques viennent percer cette obscurité (“The dancing ground”, “That vast life”, “Lyra”…)

Au premier abord, il apparaît assez difficile d’accès et la deuxième partie peut sembler un peu moins cohérente, (personnelement au début je n’aimais pas trop “Cerberus at peace” et “Severance”), mais petit à petit on se laisse porter du début à la fin.

Très, très bel album de musique classique, de la même qualité que le “A midsummer night’s dream” de 1997.”

Tracklist

(instrumental)

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(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

(instrumental)

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(instrumental)

(instrumental)

(instrumental)

Infos générales

Sorti le 28 mars 2005

Steve Hackett : guitare classique, arrangement orchestraux
Christine Townsend : violon principal, alto
Lucy Wilkins : violon
Richard Stewart : violoncelle
Sarah Wilson : violoncelle
Dick Driver : double basse
John Hackett : flûte, piccolo
Colin Clagne : trompette
Richard Kennedy : cor français
Roger King : arrangements orchestraux
Jerry Peal : arrangement orchestraux (5, 6, 8, 9, 10 & 15)

Produit par Steve Hackett

Infos générales

Sorti en 2004.

Steve Hackett : guitares et chant.
Roger King : claviers.
Rob Townsend : saxophones, flűtes, percussions et choeurs.
Terry Gregory : basse et choeurs.
Gary O’Toole : batterie, percussions, choeurs, chant sur “Blood on the rooftops”.

Produit par Steve Hackett

octopus92

4/5

“Ce double album permet d’entendre un groupe ayant muri et les compositions anciennes comme nouvelles y gagnent beaucoup au niveau de l’interprétation (la section rythmique a pris une assurance fantastique).

Le seul reproche à faire, ce sont les fade-out quasiment à la fin de chaque morceau, dans la mesure où il y a des extraits de six concerts différents.

Il eût été plus judicieux de les mixer ensemble, surtout pour un album en concert afin d’en préserver l’intensité !”

Tracklist

Infos générales

Enregistré live sur la tournée To Watch The Storms en 2003. Sorti en janvier 2004.

Infos générales

Sorti en 2003

octopus92

5/5

“Un retour à une inspiration sans fin : on ne s’ennuie pas une seconde et il faudra de très nombreuses écoutes afin de goûter toutes les subtilités de cet album.

La présence d’un groupe excellent (le meilleur batteur qu’il ait eu depuis le début de sa carrière solo et Rob Townsend) derrière Steve semble être un vrai pourvoyeur de mélodies de qualités et d’inspirations.

Rôdées par des interprétations scèniques, les compositions sont enjouées, variées et surprenantes (“Brand new” aux multiples rebondissements et son refrain racolleur, “This world” et son exotisme). Son chant a pris de l’assurance et semble parfaitement collé à la musique.

La version standard de l’album est pour moi parfaite, les morceaux supplémentaires de l’édition spéciale n’apportant rien à la cohérence des titres (dans les 4 morceaux supplémentaires, on trouve un morceau de “blues”, une pièce acoustique, une pièce improvisée et un titre-pastiche !)”

Tracklist

Leaving Strutton Ground
through Mermaid Street
to the World’s End
Through the Avenue of the 18th day
by an August moon
Richmond Bridge
and Ebury Street by the sea
Over the Broadway and run
to the end of the Pier
From Kent to Cornwall they’re
submerged by the swelling tide
A small tree house walk model
railway and the butterfly house
The Guinness Clock and rocket
ride all falling down
You’ll hear the screams as
the waltzers go round and round
From the oil wells to
Santa Monica Boulevard
From a zircon ring with the
ELO and a Hollywood choir
Fisherman’s Wharf and
a one man band sousaphone
The Lighthouse Road and
Jobsons Cove down below

As the roaring day towards
the night forms
Look at us like a double decker bus
Climbing to the top of St. Paul’s
to watch the storms

Stand clear of the doors there’s
Handel in the Strand
You’ll find a better class of
ventriloquist on the radio
Calling you back to a time
that’s never been

In the Circus of Becoming
It all starts with a spark
Once below a time
Set fire to the stars

Over the Eternal City
somewhere between
The hills and the columns
and the carcass of Rome
Alone but close to spirit
Sitting Bull says there is more

A poet walks amongst the Gods
But jealous men have pulled me down
Now exiled in a foreign land
I coax my demons into life
While people cross themselves and say
The Devil is an Englishman

Beelzebub in human form
I mingle with the noblemen
Young girls fall pleading at my feet
As I defile them one by one
Devouring half of London Town
The Devil is an Englishman

A nest of tiny scorpions
Are breeding in my cranium
Poet Laureate of hell
The Devil is an Englishman

In yet a hundred years from now
As leeches suck upon the flesh
For those who trek beyond the grave
This dark demented soul lives on
The Devil is an Englishman

Frozen statues
Bursting into life
Restless statues
Unable to fly
Anthropologists on Mars
Confused by what they see
Worlds within Worlds
Of Human history
Unquiet minds with frozen limbs
Touched with fire they wait patiently
For someone to free them
Just like you and me


Dance into the meat grinder
Ethnic cleansing sharp reminder
You’re no better than the other side
Just can’t hide the Mechanical Bride

Electric chair burned hair
Framed fried you could be there
Wedded to remaining dumb
You just can’t hide the Mechanical Bride

Fox hunt bullfight animals’ curse
Born again with the roles reversed
Enter the arena under-rehearsed
You just can’t hide the Mechanical Bride

(instrumental)

Winter’s coming
Through the fall
The year is ending
I see it all

All the things I lack
The sunshine’s coming back
Turn my grey sky blue
You make me feel brand new

The moon in silver
A shrine to love
Never ending
From above


I watched you walk out
Into the world
More like a woman
And less like a girl
All the words
In my ear
Everything you said
Everywhere you tread

They say every day
Brings about a change
Childhood’s over
But some things remain
Like the way you cried in bed
Never lose your smile
Never lose your head

Please don’t take this world from me
Why can’t we love
Why can’t we give

Manderley was a dream of
Full moon and empty sky
Lost lands and sunken cities
Wave of silk from a perfect smile

Though the gates are held fast
Once again you’re inside
There the key to the past
Is buried by her side
Rebecca

Shattered Cupid stowed away
You behaved like a parlour maid
Tongue tied newly wed bride
Back in all your yesterdays

Dressed to kill at the ball
Eager to show what you wear
Never to excel
In a house that she still shares
Rebecca

Day by day she’s your reality
Day by day a stronger personality

If by fire she could reclaim
The very walls that scream her name
Ashes aglow on the breeze above
Her house of plenty but not of love

Drowning just as in life
The manicured lawns are gone
Fleeting as her kiss
Lonely as her song
Rebecca

(instrumental)

The river called and cried
Across the twisted steel
Blues on fire island
Had a magic to heal
Souls full of anger
Sadness and despair
A harbour in my heart
Where love was there

Well the Hotel was raised to the ground
But the spirits still visit there
They rebuilt it stone by stone
I sometimes stand and stare
I see a red light like a flame
And a beast that can’t be tamed
Anchored to a place
Where love was there

Hell was never hotter
When Butter had his day
Like the loaves and fishes
A miracle at play
A thin crowd became a multitude
Pounding on the door
A sound to wake the dead
Tearing through the floor

Everything’s washed away
By the tides of time
But every now and then
It all comes back again
I’m captive in a place
Both a palace and a dive
I’ve a picture in my mind
Where love was there

d’accordéon

Marijuana, assassin of youth
And so look now here’s the truth
As we wish you all a Perry Sherry Christmas
With a Partridge Family or two

And when you go to church
You’ll remember with a smirk
All the crazy little things you used to do

“…Let’s have a truly Mexican welcome
For Ronnie and the Romeos…”

I asked my girlfriend to marry me
Yes I thought how happy we’d be
I knew she’d be thrilled at least be pleased
But these were the words she said to me

You need a haircut and then a degree
Don’t you want to start a family
Take a stand and make some real cash
Sell your guitar and throw away your stash

I had a headache lasted five days
I knew that somehow there must be a way
Cleaned the car and emptied the trash
Before she got home I had to get smashed

I moved out on my own formed a new band
We played every Goddamn dive in the land

Like a sea of troubles
Under a perfect moon
I know you don’t get out much
But that’s changing soon
I need to drive you deep
In the forest green
And then watch you dancing
At the wedding feast
I’d like to steal your heart
At the country fair
And braid wild flowers
In your hair

Oh when you come away

I’ll win back something lost
For your hands to hold
From an unknown wood
And tipped with gold
Yes a magic wand
To set you free
Then I’ll place this world
At your feet

Oh when you come away

Set the Captain’s Table
At the Four Ways Inn
You can throw all caution
To the wind
I’ll make no sudden moves
When I’m next to you
But just be patient
And my love I’ll prove

Oh when you come away

(instrumental)

As the rainfall
Drums it’s own tune
On the roof of the bandstand
Keep off the grass sign
By the lakeside
Where it leaves you Autumn

In the meanwhile
The hours seem to fly
With busy days and nights
Take it in your stride
As worrying is interest paid on trouble
Long before it’s due
Passing through

Silver snowstorm
Music without words
Blowing through the airwaves
Head in sunshine
Under fire now
Even when you’re dreaming

Crystal fountains
Peter Pan stares
Over the landscape
Without motion
On pencil grey days
To a Door Marked Summer

Infos générales

Sorti en 2003

Steve Hackett : chant, guitares, Optigan, harmonica, koto, bâton de pluie, carillions, “quattro”
Roger King : piano, orgue, synthetiseur, vocoder, programmation
Rob Townsend : cuivres, instruments à bois, sifflements
Terry Gregory : chant, basses, pédales et tonnerre
Gary O’Toole : chant, batteries acoustiques et electriques, percussions (avec battements réguliers et furieux !)
John Hackett : solo de flûte (“Serpentine song”)
Ian Mc Donald : saxophone (“Brand New”)
Jeanne Downs : choeurs
Sarah Wilson : violoncelle
Howart Gott : violon

Produit par Steve Hackett

octopus92

3/5

“Double compilation à petit prix mais centrée surtout sur les albums “Genesis revisited” et “Tokyo tapes” qui forment à eux deux les 3/4 des titres !

Forcément, la vision est très réductrice et, malgré la présence d’une version inédite de “Horizons” et l’inclusion de “Riding the colossus” uniquement disponible sur la version japonaise de “Genesis revisited”, on passera sur ce disque en souhaitant un jour une vraie compilation qui n’oublie pas le catalogue des années Virgin.”

Tracklist

Infos générales

Sorti en 2001

Produit par Steve Hackett